When I was at the library the other day (shocking, I know), I was searching for a copy of Lorraine Hansberry’s play “A Raisin in the Sun.” I’m still trying to read classics every now and then, and (at the same time) fill in some holes in my ongoing Century of Books project (which now has its own page, btw), and so thought this would do the trick in several ways.
Additionally, I’ve been dying to go to a live community play here in town, but the choices have been slim pickings lately…
So, having difficulty finding a copy of the Hansberry play on the shelves, I got to taking down copies of other similar books that might have had the play contained inside, and thus, this rather old edition of “Six American Plays for Today” (when “today” was 50 years ago) leaped into my hands.
I don’t really have a really deep background in drama or plays, and so it’s almost guaranteed that almost any play that I pick up is going to be one with which I am unfamiliar (apart from the usual school syllabus ones). So, I opened this book and bingo, it had an unadulterated copy of the Hansberry play along with five other plays, none of which I’d ever heard about. Undaunted, I checked it out.
This was an interesting read in several ways, one of which was that a number of these plays are a product of their time (unsurprisingly). When this edition was released, “A Raisin in the Sun” had recently been published in 1959 at the height of the U. S. Civil Rights movement and the script has a very much “in the present moment” feel of it as it covers housing discrimination, racial relations, and other hard-hitting topics. (See review of “A Raisin in the Sun” here.)
The other plays were ones with which I was not familiar. I had heard of Tennessee Williams and his “A Streetcar Named Desire” but had not read any of his work (or this one, Camino Real), but the other playwrights were new to me. So, I just worked my way forward through the book, and had a fine time, really.
However, I have to say that in retrospect that these plays aren’t really that memorable apart from Dore Shary’s Sunrise at Campobello (about the life of FDR) and Lillian Helman’s Toys in the Attic (although upon reflection, I have no idea why it’s called that title…) Perhaps it would be a different experience to see these plays live in a stage setting. (I bet it would.)
Despite that rather pallid review, this made a nice change in pace…