Having read and totally enjoyed (nay, adored) Amy Krouse Rosenthal’s early book title, Encyclopedia of an Ordinary Life , I knew that the odds were that her new pub was also going to be of the same vein: experimental, drily funny, and wonderful – and so it was.
Goodreads describes it thus: “a literary experience that is unprecedented, unforgettable, and explosively human”, and I would argue that it’s that and a lot more. It’s really truly one of my favorite books so far this year. (Admittedly, the year is still young, but still….)
If you’ve read any of Krouse Rosenthal’s work, you’ll know that she is an artist who is comfortable pushing the edges of literature and the idea of books. Her work is not difficult to read, but there’s little linearity and very little of the traditional format that a reader would expect in a more traditional publication. And it’s this experimentation and playing with the format that makes Krouse Rosenthal’s work so much to read (at least it is for me). I really admire Krouse Rosenthal, and I just know that if we knew each other, we’d be close friends (in a completely non-weird non-freaky manner).
(Maybe I’ll call Krouse Rosenthal “AKR” in future paragraphs. It’s shorter. Besides, we’re friends…)
One of the first things that I noticed when I picked up this title is that it’s a very interactive experience. AKR encourages readers to text (as in phone text) her number and join in the reading experience that way, so it’s not just you sitting down and reading a book. It’s you reading a book, joining hundreds of other people at the same time in a social experience that is happening real-time. (It sounds like a pain, but it’s not at all as you can see if you visit her accompanying website right here.
The title, Textbook Amy Krouse Rosenthal, refers to a number of different things (which you’ll learn about if you read this), but it’s structured in a similar manner as a timetable in middle school with chapter headings titled “Social Sciences”, “History”, “Music” etc., just as a middle school student would face during his or her typical day. Under each chapter heading are pages and topics that relate to that theme in some way. For example, under “Music”, one comment is “You don’t see very many chubby orchestra conductors.” (It’s much much better than that example portrays. I promise.)
There is loads of white space, but it’s more of a space to breathe than negative space. The paragraphs can be short and interestingly formatted, and it’s not chronological at all as subjects are grouped by topic rather than a strict timeline. It’s as though you are inside AKR’s head as she remembers things – very similar to perhaps you (and certainly I) remember things. Just jumping around from one thing to the next with perhaps only a tenuous connection (if anything at all) between each separate thought.
I’m not at all certain that I’m doing this work justice, but if there is only one thing that you extract from this paltry review, it’s that you should go ahead and read it. Honestly. It’s that good.
ETA 03/24/2016: Just learned that Amy Krause Rosenthal died from cancer this week. 😦