The Superhero and I went to the movies last weekend to see the latest release of Agatha Christie’s Murder on the Orient Express (with Kenneth Branagh, Penelope Cruz, Willem Dafoe et al.), and although I knew mostly what to expect just from reading quite a few of her novels, the film still took me by surprise at the ending. (Either I have read the novel and was paying ABSOLUTELY no attention whatsoever to its conclusion, or I just dreamed of doing that.)
Regardless, the film was really good, especially as it was set in a cold and snowy remote location which I was ready for as it’s still quite hot in Texas.
To the plot. A small group of fairly wealthy passengers are traveling from Istanbul to London, each passenger having a different reason for why they bought their tickets. M. Poirot is unexpectedly called back to the office in the Smoke, but the train is sold out and only has a cabin free in second class for the world-famous detective. It looks like it will be a smooth return, except that during this trip, one of the other passengers is murdered – but by whom?
As usually happens in a tapestry film (where you have multiple characters with various story lines who gradually intermesh as the narrative progresses), the characters are all disparate and yet with one thing in common. And does yet this one thing add up to clearly show who killed the man on the train?
Lots of period clothing from the 1940s (? Not sure) and some typical Christie players (rich old grumpy lady, questionable servant, etc.), it’s murder-with-a-cup-of-tea set-up, but these don’t detract from the movie in any way, and it’s rather nice to have comfortable set characters so that your focus is kept on the murder-mystery more than anything. And it’s a good one to solve, because despite handing out clues left, right and center, I still didn’t figure out the murderer until they told me at the very end, but it was so well done, it was fine.
So, if you’re looking for a good escapist movie of murder done well and all wrapped up by the end with a lovely ribbon, you’ll enjoy this. If you’re more of a gore and horror type person, you may leave unsatisfied, but any Christie fan will be happy.
Here’s an interesting article at Bustle delving into the true crime story that was thought to inspire Murder on the Orient Express, and here’s what Rotten Tomatoes says about the film.
(Oh, and I found out this little nugget: when the book was originally published, it was titled “Murder on the Orient Express” in 1934 in the UK, but was re-titled to “Murder in the Calais Coach” for the U.S. market. I don’t know about you, but the Calais coach reference just conjures up an old dirty smelly bus coach from the 1980’s with full ashtrays and a broken toilet, but maybe that’s just me going to an away game for a hockey match during school.
Perhaps it had a different reference for the ‘Mercans back then. 🙂 )