Having frequently heard of Nalo Hopkinson as a sci fi/speculative fiction author, and since I was in the mood for that sort of read, I checked out this title from the library. (I’d also been looking for a good fiction read by a POC author as well, so this ticked that box very nicely as well.)
So, not quite sure what to expect since Hopkinson was a completely new author to me, the first chapter got off to rather a rough start. OMG. It was so confusing – people change names for no apparent reason, there’s magical realism (which I wasn’t expecting), and there are animals who might (or might not) be mermaids/merpeople in disguise.
So, taking a deep breath and really liking how Hopkinson writes, I soldiered on and interestingly it all got sorted out by the end of the second chapter. So – heed this warning. That first chapter is worth sticking with as the plot sorts itself out in the end. (And I must admit – the fault may have been mine, but just in case…)
To the book itself: The narrative arc follows a redemption story, really, with a pretty unlikable and prickly character (she who changes names in the first chapter) and what happens when she takes in a child she finds on the beach of her Caribbean (or similar) island.
Calamity (also called Chastity at certain parts) is dealing with two big situations at the moment. One is the death of her father (from whom she’s been estranged since her teenaged years) and the other is that whenever she has a hot flash due to menopause, her finger tips tingle and her long-lost childhood ability of finding lost things comes alive. The things found range from a blue and white plate from her childhood to an entire grove of cashew trees that materializes one day outside her house to the mysterious beach child with sea shells in his/her hair…
At the same time as all this is going on, Chastity/Calamity’s also becoming more involved with the issue of the group of particular rare seals who live on one corner of her island home. She makes friends with a seal researcher and so throughout this narrative, there’s this collision (of sorts) between the roles and importance of science and myth, of magical realism and reality, of things unexplained by rational logic.
Interestingly, there are collisions of other sorts as well: the protagonist has ongoing tussles with her relatives over various points; the arrival of the beach child causes concern for all when Calamity/Chastity decides to look after him/her; there’s discord between the protagonist and her father; there is the struggle at that point where the sea overlaps with the land, with science and magic… This turned out to be such a thoughtful read for me, so it was much than “just” magical realism/spec fiction.
I’m not typically that huge a fan of magical realism, but this is mostly a straightforward drama with sprinkles of magic through in along the way, so I found it more palatable than I thought it was going to be. (I had it categorized as a broccoli book, but it was actually much better than that perception.)
In the end, I thoroughly enjoyed this read and thought that this was really a well-written book. One of the Goodread reviewers described the writing as almost liquid in a way, and that’s exactly how I viewed it. It’s a smooth read, like a stream running through rocks and roots – there are obstacles to face, but how they are handled by the characters runs really fluidly.
This turned out to be really good read and I ended up completing it in two days (which is fast for me). I’m also convinced enough to look around and see what other library titles by Hopkinson are available. She’s that good.
If you’re not familiar with Hopkinson, I recommend taking her work for a spin. It’s a deceptively easy read that will leave you with lots to think about.