I’ve been busy at the library lately so thought I’d update my stash of interesting titles:
The Colorado Kid – Stephen King (F) – was looking for another read by King since I loved his Misery title… (This edition actually has what I consider to be the WORST cover art in the world. I’ll get you a pic…)
And more titles… (Told you I might have got carried away… 😉 )
The Sittaford Mystery – Agatha Christie (F/mystery). Already finished this – good fun.
My Cousin Rachel – Daphne du Maurier (F/thriller/mystery). Was looking for a Gothic thriller type of read… (Just realized that I’ve already read this. Sigh. No worries. Moving on…)
Ice: The Antarctic Diary of Charles E. Passel – Charles E. Passel (NF/travel/adventure).
The Round House – Louise Erdrich (F/Native American).
Queenie – Candice Carty-Williams (F).
A Traveller’s Life – Eric Newby (NF/travel).
DK Eyewitness Books: Astronomy. (NF). Just looked interesting.
Which one to read first?…. I know I’m going to read the astronomy Eyewitness book this weekend for starters and make a start on “The Commitments” by Roddy Doyle for Cathy’s Reading Ireland 2020 project.
I’m not quite sure where I found this title (probably on one of my blog-reading adventures) but it sounded very good and my library had a copy so I brought it home.
From Amazon: Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her daughter, Tru, ironically struggles to understand why she was left behind. Greeted with international critical acclaim from readers who, at last, saw themselves represented in Patsy, this astonishing novel “fills a literary void with compassion, complexity and tenderness” (Joshunda Sanders, Time), offering up a vital portrait of the chasms between selfhood and motherhood, the American dream and reality.
“But di weirdest t’ing ‘bout life is dat it’s only understood backward. Yuh neva know what’s at di end ah dis tunnel waitin fah you, sweetheart. Now come get dressed. We got life to live an’ rent to pay.” (p. 204)
This was a fast read at first and I really enjoyed the first two-thirds but then… I’m not sure what happened. The last third of the book seemed to be a different quality of writing (and not in a good way). It became sooo over-written in several spots that it became irritating to read which is a shame because the plot was good. I’d been sucked into the narrative of the characters but the questionable writing kicked me out very quickly.
What do I mean by “bad” writing? Let me count the ways:
“She weeps finally, finally with the rage of a woman touching her earlobe for the feel of an heirloom earring and discovering it gone, not knowing when and where it fell, and powerless at this point to find it.”
I know, right? A long and rambling non sequitur…
Or how about this example:
“Patsy pauses, the words bundled in her belly, as lifeless as a still newborn.”
Doesn’t it actually hurt your writing soul to read these sentences? Why would you use this comparison when there has been no talk of babies or infants around this?
The only (very slight) mention of anything linked with the topic of “baby” is “belly” in the phrase that comes right before this one and this image is such a stark negative one for what it’s being used to describe…
AND this book was stuffed with a really heavy Caribbean dialect which was continuously tricky to follow. I can typically do dialect for most books but this one was really hard to decipher. There were times when I had no idea what the characters were yapping on about.
The book, on the whole, had a strong basic narrative plot but my goodness, the last third of it was so overwritten that I almost stopped there. I soldiered on though because (a) I am pointlessly stubborn about some things and (b) it became quite entertaining to see what other writing nuggets I was going to read.
So, in terms of a plot and the actual story, this was a good read. In terms of writing, ummm…..
Similar to others in the book blogosphere, I rather enjoy being quite nerdy and reviewing how my reading patterns went over the past year, although I had thought I had read more than this. However, no worries. It’s not a race so all is fine. Just interesting.
So, to the numbers:
TOTAL books read in 2019 – 48. (Average: 4 books/mo.) This is waaaay down from a typical reading year, but then this wasn’t a typical year! I’m ok with that.
Biggest monthly totals in the summer months (when school is out). Smallest total was in January.
This was composed of a focus on NF. (Actual numbers were 23 F and 52 NF. Of the NF, the majority were bio/autobio, similar to last year’s total.)
Authors: 25 M and 23 F. I’m happy with this split…
Authors of color (AOC)/Topics related to POC: 21 (44%. That’s pretty good, I think.)
Where were these books from? I’m pleased with this one: 69 percent were from my own TBR. (Progress of sorts.)
Number of pages: 13,961.
Year range of publication date: 1843 (A Christmas Carol/Dickens) to 2020 (various). 1996 average.
Shortest book length: 98 pp (When the Green Woods Laugh/H. E. Bates). Longest: 581 pp (Invisible Man/Ellison). 298 pp. average.
Overall, this was a fun reading year and I really enjoyed my focus on increasing the number of BIPOC authors in the list (42 percent of the reads were by BIPOC authors). Definitely going to continue with that campaign.
Another focus: reading more from my TBR. (Insert hollow laugh right here.) 😉
Additionally, I had two really good solid reads of the AP Style Book (for professional development), so it was a good mix of work/play. I had an enjoyable year.
Goals for 2020? None really (apart from the yearly read of the AP Style Book :-] ). Just more of the same, so long as it’s fun.
Library books vs. books I owned (and thus removed from the home abode): 6 library books, 1 owned books and 0 e-books.
Plans for July 2020 include a month of teaching online Summer School at the university, prepping their lectures and grading work… Apart from that, lots of reading, jigsaw puzzles and hanging out. Temperatures are very hot outside for the most part, so it’s a pretty indoor life right now. 😉
Crikey. This was one heckuva read about an amazing Black woman. It’s also an excellent nonfiction book with cool modern graphics integrated in amongst its well-written text. (I know. Lots of praise but this volume deserves every ounce of that.)
If you’re unfamiliar with Harriet Tubman, get thee to at least the Wikipedia page and read about this true American hero. (No hyperbole there.) Her life story just blew me away. 🙂
So – not only is this the life story of an astonishingly brave woman, this title presents her history (or herstory) in a modern and extremely graphically-pleasing format. And — it’s well-written. As you can perhaps surmise, this was an informative and wonderful read for me, and I highly recommend it for you.
If you’re not familiar with Tubman (and disregarded my advice in the second paragraph to go and read the Wiki page on her), you’re missing out. Tubman may have been small in stature (five feet tall) but holy cow – she had the biggest and bravest heart and used that courage to save hundreds of people from slavery.
Not only was she a leader in the historical Underground Railway system for escaped slaves, but she was also a hardcore soldier, a brilliant spy, a suffragette for the vote AND an advocate for old people. And – she had brain surgery without anesthetic. Phew. Can you see why I am amazed by this fabulous woman?
Author Erica Armstrong Dunbar, the Charles and Mary Beard professor of history at Rutgers in New Jersey, has done a great job here of relating Tubman’s life and endless achievements, all done in an energetic and graphically pleasing presentation which made this a pure pleasure to read.
It’s written in a conversational tone (despite Armstrong Dunbar’s academic status), but this tone comes across as friendly and informative, similar to watching an approachable historical documentary onscreen but while retaining the sheen of academic rigor to the text.
A powerful and mesmerizing read about one of the most impressive historical figures I have ever come across. I’m astonished that Tubman is not more well known for her life and times – she should be. This will be definitely be one of the top reads for 2020. Amazing.
(Curiously – Tubman was scheduled to be honored on the design of the $20 dollar bill [to replace racist President Andrew Jackson] but true to form, the Orange Goblin has put the kibosh on that for now. See this CNN article for the (disgusting) details. Sigh.)
You’re still here? Shouldn’t you be at the library checking this book out? Or buying it online? Why – yes. You should. 😉
With the world in this state of flux (for all of the many different reasons), I’m really interested in learning more about the history and the lives of the many people who call the U.S. “home”.
At the same time, I’m also committed to reading more BIPOC authors and topics, so toddled off to the library to see what I could track down on the shelves.
“Driving While Black” covers some of the history of American civil rights through the lens of automobiles and their overlap with social history. This was a fascinating read.
As the cover copy states, this book “reveals how the car – the ultimate symbol of independence and possibility – has always held particular importance for African Americans, allowing [B]lack families to evade the many dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road.”
And although a lot of this history may not have been unfamiliar to me, the manner of how these two topics were combined and presented was eye-opening for me, as a white reader. Through careful documented research, Sorin puts together a thorough timeline of the parallels between the introduction (and subsequent widespread adoption) of the car and the increasing social roles of Black people in America:
Travel for Negroes inside the borders of the United States can become an experience so fraught with humiliation and unpleasantness that most colored people simply never think of a vacation in the same terms as the rest of America.
The Saturday Review, 1950
Geographer Karl Raitz has described the American roadside as a public space open for everyone, but the roadside itself only represented private interests.
This presented a dilemma for Black travelers: sure, you can buy a car (if you can afford it); sure, you can drive your car along the roads for great distances throughout the U.S., BUT if you want to actually stop at any point along your journey, these “private interests” (the hotels, restaurants, rest-stops etc.) are not always going to be welcoming for you and your family.
So, the introduction of the car to Black consumer symbolized freedom, just as it did for other car owners, but only the freedom of driving along the actual macadam. If you, as a Black driver, became hungry or tired and wanted to stop along the way, that’s a whole other kettle of fish. Do you see the dilemma now?
Sorin goes into well-documented depth on this using oral and written histories to bring you, as the reader, into this problematic world. As the twentieth century progressed, American life slowly and incrementally improved for Black families but it was geographically uneven and in irregular fits and starts. Sorin’s decision to intertwine consumer history of the car industry and the social history of Black America made this a riveting read which made me shake my head as the stupidity of racism.
Throughout the twentieth century, America was a confusing mix of integrated and non-integrated places which made traveling by car hazardous for Black drivers without significant preparation.
What were your options for help if you had a flat tire by the side of the road on a highway? Where would your family sleep at night? Have you packed enough food and drink for the non-stop journey (obviously you can’t stop at any old restaurant along the way)? Would your life be safe if you were driving in this particular community after sunset? (There were more than 150 “sundown towns” across the U.S.). And don’t even think about what your choices were if one of your party became sick and needed medical care…)
It is insane that the Land of the Free allowed these horrible constraints on some of its very own citizens. How traumatic for these early Black travelers just to drive to see other family members!
You’ve probably heard of the Green Book (link to book review), one of several travel guides for Black drivers on where to go, where to eat and where to stay, but this was just one of several publications that were popular at the time. (Huh. Didn’t know that but it makes sense that Victor Green wasn’t the only one to see the need.)
As cultural mores slowly started to shift and the white-owned travel business saw that more money could be made by catering to Black business, more hotels and restaurants gradually started to cater to these new customers. The Civl Rights Act of 1964 further accelerated this program (although it was achingly slow in parts of the South), but people were stubborn to change and adapt.
The problem of [B]lack business is not the absence of [B]lack support, but the absence of white support.
John H. Johnson, owner, Ebony magazine, 1971.
And although life has improved for Black Americans in the 21st century, it’s still got a ways to go. (Witness: police brutality et al.)
In 2017, author Jan Miles published “The Post-Racial Negro Green Book“, which is her take on the historical travel guide but this one is a 2013-2016 state-by-state collection of police brutality, racial profiling and everyday racist behavior by businesses and private citizens. Yikes.
Suffice to say that this was a powerful read for me. It wasn’t perfect in terms of the writing (quite a bit of repetition which could have been caught by a sharp-eyed editor), but the content more than made up for that.
After reading Petry’s excellent work, I wanted to read a more modern Black author so I tracked down Brit Bennett’s “The Mothers” (2016). After having seen all the recent exposure for her most recent release, “The Vanishing Half” (2020), I was curious about all the hoopla so nipped down to the library to see what I could find. “The Mothers” was what I left with.
The plot revolves around an African-American community who are linked with a Black church called the Upper Room. The main protagonist, Nadia, is still reeling from her mother’s unexplained suicide and, along with her surviving father, Nadia spends with and is supported by the Church Mothers, a tightly-knit group of women who are deeply involved with this religious organization. Along the way, Nadia also hangs out with young Luke, the son of the pastor, and ends up getting pregnant with Luke’s child. But what to do, what to do…
This was a very quick read – Bennett rightly has a lot of traction in the publishing world right now and the narrative flows well and is well-written. So I’m quite puzzled why I wasn’t as positively taken with this title as many other readers have been. It wasn’t a bad read, by any means, but it wasn’t as supercalifragilistically fantastic as I had expected it to be.
As I think about this, this was a pretty “issues-y” novel – unmarried/unplanned pregnancy, a parent who has killed herself (but why? It’s never explained…), a lonely young woman trying to sort out her life with a fairly-distant father who doesn’t help her… It seemed to me as though Bennett had thought of some issues mostly likely to attract her readers and then plugged them in to the plot as she wrote.
You know – it reminded me of the 1980s/1990s Oprah Books where they were designed to trigger long meaningful interactions about knotty social issues that tend to happen to “other people”.
I’m glad I read it – I don’t regret the time I spent with this book at all but to put it into perspective for you, my favorite thing about the edition that I read was the artwork on the cover. (Really nice.) So – perhaps this is more of a beach read than a substantial work on social issues. It was fun to read. It was well-written, but it was a pretty superficial approach to some weighty issues.
(It’s also possible that I could be the only person in the world who doesn’t gush over Bennett’s work, so you might take this with a grain of salt. It just suffered in contrast after reading the excellence of Petry’s book immediately before it. If you’re looking for a solid read this summer, the Petry is the one I’d recommend.)
Ahh. I really appreciate the fact that I am privileged enough to get to experience and enjoy a faculty summer at a large state university. After having worked year-round as a full-time staffer on campus for 20+ years, the fact that I officially get to have the ENTIRE summer off is, frankly, almost unbelievable. (Well, I am teaching summer school but I chose to do that.)
So – what have I been doing with these long languid days? Have I been using them wisely to contribute to the world around me during these times of COVID and civil unrest? Ummmm. :-}
Right when the semester officially ended in mid-May, I finished up all my grades and then worked hard on the front garden flower beds (new shrubs, tidy-up etc.). After that burst of focus though, I picked up in the world of jigsaw puzzles (OMG – the time-suck but OH SO FUN!). I finished up a couple and bought a new one (which I am looking forward to completing) so that’s been interesting.
Reading-wise, I’ve renewed my focus on Black writers and their work, starting with the 1946 fiction called “The Street” by Ann Petry, an amazing first novel by a Black female author and which was the also the first title to sell more than a million copies in print.
Set mostly in WWII-era neighborhood in Harlem, the plot focuses on Lutie Johnson, a single Black mother who is confronted daily by the serious issues of racism, sexism and classism. It’s a political novel, in terms of dealing with society ills and making a point, rather along the same lines as Steinbeck’s “Grapes of Wrath”, published in 1939.
(And – if you haven’t ever got around to reading “Grapes…”, take thee to a book provider and read it. It’s. Oh. So. Good.)
Back to “The Street”: Lutie is a really hard-working woman who is doing her best to give her young son, Bub, a better life and she really truly believes that if she just works hard enough and saves enough, she will be able to give Bub that gift for his future. However, it’s the mid-1940s in New York City so the reader just knows what is in store for this small family.
Lutie also believes in Benjamin Franklin and his ideas of working hard and being frugal to get ahead, and Petry even names one of the other main characters Junto, after the name of Franklin’s true secret organization of the same name. It’s totally heartbreaking because you just know that, historically, no matter how hard Lutie Johnson works and scrimps and saves, her life (and that of young Bub) is not going to improve that much. She’s stuck in the poverty trap and despite her goals of moving out of this dark and ugly tenement building, the odds are way against her.
This is a gritty novel in a gritty neighborhood in a gritty city, and it was hard for me to read how much hope Lutie had for improving her life and that of Bub. Almost everything in her life is against her and yet she gets up every day to keep working towards that goal of a better life. She works a crappily-paid job doing crappy work, she lives in a crappy cramped and dark apartment, her choices are few and far between, and yet she continues to believe that things will get better (if not for her, at least for little Bub). What’s even more difficult is that I know that things haven’t necessarily improved for families in poverty in the U.S. living lives that follow a similar pattern.
Lutie gets involved with Junto, who runs a steadily-employed nightclub band, and by dangling her dreams of a better life in front of her, Junto ultimately leads Lutie to commit a serious crime from which there is no escape.
(It’s interesting to think how awful this Junto character is in this read when you consider that Benjamin Franklin’s secret club of the same name (and also called the Leather Apron Club) was focused on mutual self-improvement. It consisted of twelve men, of course, all white, of course, and started in 1727 in Philadelphia.
In contrast, this novel’s Junto character here has absolutely no interest in anyone except himself (and Lutie, sexually-speaking). He’s such a selfish character that you can just see Petry’s opinion of him through her giving him this name. Clever of her to pick this name and use it in this manner.)
It’s a heart-breaking story but it’s so exceptionally well-written that you bear the harshness of Lutie’s life alongside her, hoping against hope that her dreams might even slightly come true.
It’s pretty interesting to search online to see what else was happening in the U.S. in 1946. WWII has been over since 1945 (so not that long ago and, of course, the lingering social effects were still in existence), there were civil rights riots in Chicago, there was the last recorded lynching in Georgia (crikey)*, atomic bombs were being developed, Truman was starting the first group that would turn into the CIA, and the Russians were viewed as significant threats to world peace.
Realizing that, you can see how “The Street” fits into the cultural milieu of the times. This is a fascinating read on a hundred different levels, but even if you’re not interested in the backstory, this is one heckuva read. I loved it!
*And holy cow: Wikipedia reports that the state of Georgia didn’t officially acknowledge any of its lynchings and its role in them until 1999 when a state highway marker was placed at the site of the original attack. What took them so long??
Summer is now here and for me, life has slowed down (but just until I start teaching Summer School). In the meantime, I’ve been focused on learning about racial and social issues and how I can impact those.
My first step in that plan is to be quiet, listen and to learn, so I’ve been doing a lot of that. On a more practical level, I’m also planning on working some voter registration drives – a cause that I believe will be critically important this autumn. I am cautiously optimistic that perhaps this country’s (and the world’s) social unrest will be the catalyst for some long-overdue societal changes but again – that leads back to the upcoming U.S. election.
I’d like to really encourage you to take some action in your own community, however you’d like to do that. If you’re interested in registering more voters, then you might follow up with your local League of Women Voters (LWV), a non-partisan non-profit focused on getting voters (of any stripe) signed up ready to do their civic duties. If you happen to live in a mid-sized (or up) city (or near one), I bet there is a chapter near you. Pretty fun and important to do at the same time.
Moving on, I’ve been reading some books, working on a jigsaw puzzle or two, and messing around in the garden a bit. Just bibbling around really, but it’s been fun and relaxing. Our local gym opened up the other day – thank goodness! – and so we’ve been spending time there, trying to catch up for the previous slacker COVID months when nothing was open.
I went through a patch when I had a reading block, but that seems to have lifted now, so let me give you a brief taste of some of the titles I’ve finished recently:
Wallis in Love – Andrew Morton. Let me save you some time here. Interesting story but it’s Andrew Morton. He writes for drivel such as the English red-top newspapers so it’s pretty hard to take him seriously, but as a gossipy frothy look at Wallis Simpson and her influence on the British monarchy, it was ok. No one was portrayed well throughout this recounting of this story, but at least the book was grammatically correct. 😉
Offramp – Hank Stuever. NF travel essays by Stuever who writes a little aimlessly about his journeys to the smaller towns and communities just off the larger highways that crisscross America. I had quite high hopes for this, but it was not to be. Although fairly well written, the essay collection was only tangentially related to the overall theme of road travel and was more of a lame excuse to lump these texts together. Not bad, not great. Just ok.
Mr. Loverman – Bernadine Evaristo. Fiction. Truly excellent. Will definitely make my Top Ten Books of 2020. See my review here and then go and read this book. You’ll love it (but let me know what you think about that last chapter!)
The graphic novel version of Atwood’s The Handmaid’s Tale. Loved this, although it was a necessarily shortened recounting of the novel’s more-involved plot. Still, a good reminder of Atwood’s plotting excellence and gave me impetus to check out the third volume in the MaddAdam trilogy.
My Sister, the Serial Killer – Oyinkan Braithwaite. A satirical take on what might happen if your actual sister was a real serial killer and you were involved each time with the clean-up and cover-up of the victims. Well written Nigerian title. Good descriptions of life in this modern African country.
Tomboy – Liz Prince. An autobiographical graphic novel which looks at the role of gender and how its then-limited definitions impacted the childhood life of the author. This might be a helpful read for middle-school-and-up readers who are struggling to fit in with their peers without giving up their own individuality. Good artwork along with the evergreen message of staying true to yourself.
After this string of OK reads, I’m also relieved to report that I’m now thoroughly immersed in the 1946 novel, “The Street”, by Ann Petry, a Black* writer. An early literary thriller and a huge bestseller, this title is notable for being one of the first bestselling novels to be published by a Black female writer.
Black writing had been published before this, naturally, but the general term of “Black lit” typically referred to only male writing. This was a woman writer who had centered her story in Harlem and featured the hard scrabble side of life. It covers serious issues such as sexism, racism, poverty, and unemployment, but at the same time, the story has a seam of hopefulness and almost optimism throughout the plot. Really good read so far. More deets later.
*Note: I am using the term “Black” in favor of “African-American” since that is the recommendation from the National Association of Black Journalists and the Associated Press. See here for more details.