Wow. Just wow. This was a novel that makes you say just that word when you finally turn its last page. It’s that good.
There, There, written as a first novel by Tommy Orange, a Cheyenne and Arapaho author, is a muscular narrative that weaves together the disparate stories of a large group of Native Americans (First Peoples) who all live in the same city of Oakland, CA. They don’t all know each other, but as the plot progresses, their lives overlap as they each plan to attend the annual pow wow in their community.
(This is a read that sucks you in and won’t release you until the end of the narrative when you finally emerge, slightly battered and with the air sucked right out of you.)
It’s an “easy” read (in terms of the experience reading as smoothly as “a hot knife through butter” type of thing), but the story is high impact in terms of that it doesn’t shy away from the tough issues of life: depression, alcoholism, unemployment, fetal alcohol syndrome, hopelessness, not to mention life in poverty and as a marginalized indigenous person.
You’re from a people who took and took and took and took. And from a people taken. You’re both and neither. In the bath, you’d stare at your brown arms against your white legs in the water and wonder what they were doing together on the same body, in the same bathtub.
So it sounds like a dreadfully depressing read, and although it addresses these issues, the plot introduces you to each of the characters one by one. You get to know these individuals as humans with lives and hopes of their own, and it’s easy enough to keep each character straight.
(That’s what I meant when I said you got sucked in to the book. I really felt as though I knew these people and cared how things worked out for them. I might not have agreed with some of their life choices, but I can’t deny that I would have chosen anything different than they did if I had been in their situations.)
So, this book follows a group of characters, all individual but inter-related (at least by the end of the book) and who all decide to attend this community pow wow, an event where life undergoes a sudden and significant change for all.
A seriously great read which will take your breath away. It’s not an easy read, but it is a good read.
(Plus it’s been recognized with a bunch of literary awards, so it’s not just me feeling the love for this one.)
Lots of being busy has led to a lack of posts here on the blog, and I apologize for that, dear reader. I’m planning on this being a catch-up post of sorts so that I can get back onto schedule.
So I’ve been reading for sures – I seem to have retrieved my reading mojo after having it slip out of view in March, and luckily, the titles that I’ve been choosing have been really good. (It’s nice when things align.)
I had noticed that I had slipped off the wagon for reading from my own TBR over the last few weeks, so pulled an old Oprah read from the shelves: “What Looks Like Crazy on an Ordinary Day” by Pearl Cleage (1993).
It’s been a while since I’ve chosen a title that reads like a “hot knife through butter”, so searching for that experience and hoping that this wasn’t a misery novel (as can be Oprah’s wont with her books), I found this to be a fun and optimistic read. It’s also particularly noteworthy as it was published back in 1993 and features an HIV-positive woman as the protagonist.
Why was it noteworthy in 1993? Because the AIDS pandemic was in full swing, a mix of homophobia and denial across the U.S. (and my city) was common, and I was an AIDS educator in a medium-sized Bible Belt community (ref: homophobia and denial [for some groups] mentioned above).
Oprah choosing this title was a great way to reach an audience who wouldn’t automatically be informed about the disease. It was cleverly wrapped up in a cheerful novel featuring women, and it was Queen Oprah who chose it. I didn’t realize it at the time, but looking back at that time, I can see that she made a brave choice.
This is a homecoming-type novel, where the protagonist goes back to her small hometown after leaving Atlanta, the “Black Mecca” as the author calls it. Typical of a homecoming, she reconnects with old friends, makes new friends, and then makes new plans for the rest of her life.
It’s well written, it’s easy to digest, it’s a fun read. Glad I reread this one, as I didn’t remember a thing about it from the first time. Plus – it was really interesting to place it in the context of history. Good one.
Pulling another read from the TBR pile, I chose “Cooking and Stealing: The Tin House Nonfiction Anthology,” edited by Charles d’Ambrosio. As I was looking for some longform nonfiction and/or essays to read, this fit the bill completely for me, and I whipped through it.
As is typical for most anthologies, there were some hits and misses but overall, it was a good read. What was a minor irritation, though, were the typos spread quite liberally throughout the pages. I kept checking to see if it was an advance copy (or similar), but no. It was the final proof and just had typos. Grr.
Moving on from the typo situation, d’Ambrosio had selected some good essays and/or narrative nonfiction and I managed to glean some author names to search for in the future. Plus, in the end, the title did have more good reads than bad ones, so I consider that a win. Plus – off the TBR pile!
During Spring Break, my mum had brought me an old Virago copy of “All Passion Spent” by Vita Sackville-West (which was a new read for me). Expecting a rather prickly reading experience, this one ended up being really enjoyable and I actually read it twice, back to back, just to look at how the narrative arc was structured since it was done so well. I’ll be looking for some more by Sackville-West and her gang in the future.
Now, the end of the semester is in sight for both students and teachers, Spring time is here in our area of the country, and things are turning green again. It’s supposed to be 90 degrees this week and I’ve just found out that I’m probably going to go to a work conference in Vancouver.
I am learning that “The New Yorker” journo, David Grann, is a consistently good writer which then makes a consistently good read. Honestly, Grann’s work is such sophisticated narrative nonfiction that you know you can trust the text for both impeccable grammar and accurate facts, all bundled up in a way that is just so enjoyable for me as the reader.
(Gushing words, right? Grann’s worth them. Unfortunately, he’s only published three NF books, so far (that I know about): this one, “The Lost City of Z,” and “The Devil and Sherlock Holmes,” and so I only have one more read to go. I hope Grann’s busy working on something else. 🙂 )
To this particular title: Grann has done several years of painstaking detective work and reporting to uncover the truth about the “Reign of Terror” that was inflicted on the Osage tribe in Oklahoma at least during the 1920s and 1930s. (It may have lasted longer than that, but due to suspiciously shoddy record-keeping, it’s hard to say.)
The story itself sounds as though someone has just invented it for a high-dollar movie. There are so many twists and turns within it and such a large group of nefarious and powerful people involved, that it’s hard to believe that it happened. But that’s what money will do to some people.
This is an in-depth look at the clash between the First People Osages and the surrounding white community when an enormous oil field is discovered under the Osage’s reservation land. It’s also the story of a baby FBI just starting out and of what people will do for love and money.
The Osage story is a familiar and sad one: impacted by the Trail of Tears’ forced migration, the Osage tribe was forced to hand over its ancestral land to the U.S. government. However, unlike a lot of other less fortunate tribes, this tribe was able to keep ownership of the mineral field under their land.
Oil means money (and a lot of it), and the Osage people’s wise legal agreement meant that the tribe were then the richest people per capita in the world. Combine the land grab with the oil boom and things get rather dicey. Add into that combination the heady mix of power and money…
Grann adds to this story the beginning of the FBI, and then he leads the reader through this winding journey of how Hoover and the agency he heads overlap with the strangely large numbers of Osage tribal members who kept dying under suspicious conditions on the reservation. Money could protect them from many things, but not from a network of high-powered businessmen determined to get even richer.
So, this is about 300 pages of, as Grann describes it, “a chilling conspiracy” that in many ways is not over for the tribe. More than twenty-four Osage tribe members (and friends) were murdered around this time on the reservation, but written records are so sloppy and spread out across the country, that it’s hard to know the final count — there may be many more that are unaccounted for.
it’s so compelling that I actually read this whole book in two days which is a direct reflection of Grann’s storytelling abilities. There are a LOT of moving pieces and variables, but Grann’s mastery of his material means that he doles these pieces out in a logical and manageable way for the reader, but I must admit, it’s not a book that you can really snooze your way through. (That’s also another reason why I blasted my way through the book really quickly.)
This title is so worth the interweb hype that’s bubbling through many book blogs, and I can only add that this book is one that lives up to its reputation. Stellar storytelling, thorough reportage and great writing make this one of the best books that I’ve read in a long while.
P.S. Just found out that there is a movie in the making. Cool.
March passed by in a flash and that speed-of-light passing was reflected in my reading totals for the month. At first, I thought this low number was quite strange, but when I look back at other past March reading totals since I started teaching, I can see it’s historically this way. I think I forget just how busy and occupying teaching can be sometimes. Plus – there were Spring Break travels!
Still, no worries.
The reads for March 2019 included:
Essentials of College and University Teaching – Eleanor Boyle and Harley Rothstein (NF) – no blog post (since work-related)
Having been immersed in watching the PBS series, Victoria, this Spring, I became pretty interested in learning about this particular monarch and so, prowling my TBR shelves (go me!) I came across this thick volume about Victoria and dug right on in.
First of all, I think that this detailed biography will only check the boxes for someone who is REALLY interested in Victoria. It goes into a lot of detail about the politics of the time, and so if you’re not really into that, I’m not sure that this will be the read for you. I had to really concentrate to stay alert through some of these parts, so I’m thinking other people may have the same problem. (There may or may not have been some skimming at times.)
Having said that though, Wilson has done a good (and thorough) job of giving the reader the details of Victoria’s life and times, so now (after 642 pages), I feel confident in having a much more thorough overview of Victorian times and their tubby little queen. 🙂
Wilson reviews the entirety of Victoria’s life, from birth to death, and generally speaking, it was a great read if you’re wanting to learn more about this enigmatic monarch. Wilson is a scholar and a biographer, but in spite of this, he still manages to sprinkle humor and wit throughout the book which brings a sparkle to an otherwise pretty dry read.
To be honest, the only really dry bits were towards the middle of the book (and her life) when Albert dies and when Victoria chooses to remove herself from public life and events for approximately 30 years or so. (Not a bad gig if you can get it.) She does, eventually, get back into things, but it takes quite a while for her to do this, and in the meantime, peeps are pretty mad at her, enough so there were rumblings of England turning into a republic (sans Queen). Her return was rather in the nick of time.
Wilson also addresses the significant others in Victoria’s life post-Albert, including John Brown and the Munshi. (See below for links to other related reads you might be interested in.)
I can’t blame them, really, as Victoria was hiding in her various palaces and only doing the minimum duties while she nursed her never-ending grief for Albert. (She did manage to throw up a lot of expensive statues and memorials for Albert throughout the country, but actual useful monarchical work? Not so much.)
Despite this avoidance of public life, Wilson does show that Victoria was keeping up with the paperwork related to parliamentary life and diplomacy overseas, but it was very in-the-background for many years. (If you’ve watched the Victoria series, she goes through quite a lot of advisers and prime ministers over the years, and despite all the rules about the monarch and the government being separate and equal, Victoria liked to have her little hand in things of governance at times which raised some eyebrows. Anyway, this book rather sorted out that complicated revolving door for me a little more, so that was helpful.)
So, I think that this biography is more for the Victoria Super Fan than merely a casual observer, and even then, the middle bit about the political landscape was slightly dry (shall we say?)
However, this was more than made up by all the details about how closely the British royal family was tied up with mainland European royal families through marriage (mostly), and it clearly lays out how much planning went to determine who should get married to whom and when, and to see how her nine children fare (or don’t as the case may be). (And Bertie fares as well as you would expect…)
Thank goodness for a family tree at the start of the book. Some people change names when they’re put on the throne so it can get a tad confusing in places.
As mentioned, Wilson is a master biographer who goes into great detail about the life and times of this miniature monarch. (She really was not very tall.) I know that I have another volume by Wilson about the Victorians in general waiting on the TBR shelves so feel comfortable looking forward to that read at some time.
February turned out to be a reading-heavy month, which was fine by me and I enjoyed the majority of the titles. Since it was also Black History Month in the U.S., I usually try to put a heavier focus on POC authors and topics, but I wasn’t overly impressed by the number of POC titles I actually completed this year. (I enjoyed the majority of the reads, but the total itself just wasn’t as many as I had hoped for. I think the flu was responsible for some of that.) No biggie.
Still, better than nowt and all is good. I’ll just carry on with this POC focus throughout the rest of the year, as I have done for the past few years.
The Adventures of Sally – P.G. Wodehouse (1923) – F (no blog post)
So to the numbers:
Total number of books read in February 2019: 11
Total number of pages read: 2,814 pages (av. 256).
Fiction/Non-Fiction: 1 fiction / 10 non-fiction.
Diversity: 4 POC. 5 books by women.
Library books vs. books I owned (and thus removed from the home abode): 9 library books, 2 owned books and 1 e-book. (I know that this total equals more than 11, but the e-book was an owned book, so counts for two categories. Seeeeeee?)
Plans for March include going to Graceland and some reading. And probably a jigsaw puzzle as I haven’t done one for ages… 🙂
I happen to be visiting Memphis (and Graceland) over Spring Break next month, and in preparation for that trip, I thought I’d look for a good bio about Elvis at the library. There were a couple, one of which looked very serious and intimidating, so of course I chose the other one. 🙂
I’m not the biggest Elvis fan in the world, but I grew up hearing his music and watching a few of his films, and I well remember that day when Elvis died in the ‘70s. So my thoughts of him are a tangle of Elvis in Hawaiian clothes or being rather overweight in a white rhinestone-sparkly outfit. I know, however, that there are people on this planet who live, breathe and die Elvis… (Hoping to rather see some people like this at Spring Break!)
Going to Graceland seems like a very American pilgrimage to do, especially for my English mum (who I’m meeting there). My mum was around the right age to revere Presley (late teen/early 20s) and she probably wasn’t a SuperFan, but I know she knew his songs.
So, never one to turn down American kitsch when it comes my way, I’m looking forward to the adventure.
To the book: It’s written by three guys, two of whom are in academia (Ph.D. and/or doctoral student) and one a music journalist, but all three are very interested in the King of Rock and Roll, but mostly, their focus is on his music.
(Editorial aside: What was pretty interesting was that the writing styles throughout the book were all very consistent. Sometimes, when you have multiple authors doing separate chapters, the styles don’t mesh but whoever edited this book deserves kudos for making this not the case for this title.)
‘If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.” Sam Phillips, recording studio executive.
It’s quite a short read for the life of someone who led such a meteoric life, but this is balanced out with the substantial bibliographies at the end of each chapter and at the end of the book (for further reading). However, what I found really appealing about this was that it was not just a straightforward biography (i.e. Elvis was born, he lived, he died).
This looks at the life of Elvis via the perspective of the huge influence he had on American (and global) music and culture during his career while also considering who influenced the man himself.
I don’t know if perhaps I’ve been pretty dense about this, but I hadn’t realized until now quite how much of an influence the African-American culture and music were on Elvis, although now I look back at it, of course it’s pretty obvious.
In fact, Elvis wasn’t even the first white singer to sing blues music, but he was surely around the beginning. (Actually, Elvis first gained attention for singing country music and its cousin rockabilly, but he was also influenced by the smooth crooning of Perry Como, Bing Crosby and the like. It was a huge mashup of musical influences.)
Bought up in Mississippi, Presley’s mother and father were poor and worked in the fields picking cotton alongside the many African-Americans who were also employed in that manner.
Mississippi was originally the location of the biggest slave market in the country, and was a hub for both industry and immigration. It had been one of the way-stations along the route for those African-Americans who were moving to the North as part of the Great Migration, and thus, the Mississippi Delta is one of the birth places for blues music.
(Interestingly, the Great Migration also included large numbers of poor white people, including the Presley family. Although born and raised on the “wrong side of the tracks” of Tupelo, Mississippi, Elvis ended up living in Memphis, Tennessee, where his family had moved trying to find a better life.)
Elvis’ parents were a hard-scrap couple, his mother employed at a shirt factory and his father with blue-collar jobs (via the New Deal) along with some involvement with bootlegging, and in fact, one suggestion was that his father’s activities with that was one of the reasons for the family’s move to Memphis.
As common in the South, religion played a big role for the family and, despite living during one of America’s most racially charged periods of time, the Presley family did not hold racist attitudes to others. (Perhaps because of the constant exposure to their neighboring African-American families as friends and co-workers.) This close proximity also led to Elvis being exposed often to the gospel music and blues of his friends in the neighborhood.
The Great Depression had ended just a few years before, WWII was a recent memory, and being the South, the centenary of the Civil War was close by, so it was a time of change for many. Elvis’ father had been charged with a poverty-motivated crime and sentenced to three years which caused a lot of financial hardship for the family.
So, being of low income, their small home had no electricity or plumbing, but they could afford a battery-powered radio which was how the small Elvis was exposed to all these influences. Curiously, Elvis also became a huge fan of comic books, especially those of the superheroes like Captain Marvel. (Their capes became an integral part of his stage costumes in later life.) Huh. I hadn’t put that together…
(And so it goes on. This was a great read. I had no idea that Elvis led such a fascinating life. 🙂 )
I happened to be struck with the flu the other week, and in this sick state, felt as though I couldn’t cope with reading actual words. To compensate (and still wanting to do something other than lie in bed being feak and weeble), I had luckily had a recent visit to the library and picked this title.
I’m not a quilter or sewer of any description – I could do buttons, I think – but I do appreciate and enjoy looking at contemporary art quilts and their designs because most of them can be AMAZING. (I can only imagine how much time and works goes into completing one.)
So, in my flu-ridden state, I could look at pretty pictures and this solid book ticked all those boxes for me. Generally, half the page layout was a big photograph of the quilt in question, and then on the other page was brief curatorial info about that particular project.
I’m not sure if you’re familiar with art quilts, but they are related to the typical quilts (with the repeating squares in a pattern, for example).
However, art quilts happen to be fiber art that is used to express a thought in a way that is anything but traditional. As Booklist writes, “contemporary art quilts – with the emphasis on art – break the ancient code” of “block like, follow-the-rules fabric sandwiches.” (This description just cracked me up for some reason.)
Anyhoo, this volume has, just as it says on the tin, a wide
selection of contemporary quilts that are only tangentially related to the one
that someone’s grandma may have made in years past.
Juried by Karey Bresenhan, director of the International Quilt
Festival, is an eagle’s eye view of 500 different quilt pieces, with styles
ranging from hyper-realistic to abstract with a wide array of stitching and
material incorporated into the design. (Some of the examples include so much
more than just fabric!)
It’s a gorgeous and well-bound volume that takes you on a journey
through some amazing art work using fiber, and I thought that this was a perfect
read for a day when you’re feeling under the weather. The designs are
astonishing and the colors so bright and cheerful, that you couldn’t help but
enjoy this lovely amble through the selection.
I’m no closer to ever being an expert stitcher, but I did like this detour into the world of fiber art.
I happened to catch this title in a display for Black History
Month at the library, and curious, picked it up. My own knowledge of notable
African-American women was limited, shamefully, but I knew that there were
loads of inspiring and not-quite-so-famous women role models out there. Who
would be included in this title? Let’s see…
Among the forty or so trailblazing women, there was Rebecca Lee Crumpler (1831-1895). In 1860, she applied to the all-white New England Female Medical College where she was accepted and graduated in 1864. Out of a total of approx. 500,000 physicians across the country, only 300 were female physicians, and out of that number, Crumpler was the only African-American woman. In. The. Whole. Country. (Can you imagine how hard she had to work in this world?)
Crumpler focused on women’s and children’s health, and published her own textbook, A Book of Medical Discourses, in 1883. (View the book here.) Wowee.
…There was Alma Woodsey Thomas (1891-1978) who was a junior high school teacher for 35 years, as well as an artist (at a time when African-American people did not have many rights). She was a leader in the Color Field Movement which created paintings using bright blocks of color and was an important influencer in art. (Rothko was influenced by Thomas.)
—There was Gwendolyn Brooks (1917-2000), whose poetry I had heard of but whose personal life I was unaware. She published her first poem when she was just 13. After publishing books of poetry, she was awarded the Pulitzer Prize in 1950, the first African-American ever to earn that honor.
—There was Mamie Phipps Clark (1917-1983) who was a social psychologist and counselor. Educated at Howard University (where quite a few of these forward-thinking leaders were educated at different times), Phipps Clark is notable for designing some research on children and how they see the world.
Called the Doll Test, researchers would give children, both black and white, dolls from which to choose in answer to some questions. After being asked questions along the lines of “which doll would be nice?”, Phipps Clark’s research showed that African-American kids who attended segregated schools would choose the white dolls for the positive characteristics that the questions asked, and the African-American dolls for questions as “Which doll is mean?” 😦
Unsurprisingly, these kids had really poor self-esteem of themselves and of others of the same race. This research became the basis for the 1954 legal case that changed America: Brown vs. Board of Education, where the Supreme Court ruled that segregation was unconstitutional.
And the list goes on and on of notable and extraordinary African-American
women who are just not talked about when they should be household names. Every
page introduced me to someone who either I’ve never heard of or didn’t know
much about, and one of the best things was the Harrison has drawn each of these
figures with the same face, to allow young readers to imagine their own faces
in a similar position.
This was such a lovely book, and I hope it’s widely available in school libraries across the US. I learned so many new names to learn more about. I bet you will as well.
As part of Black History Month (and part of my ongoing goal
to read more diversely), I saw this title on a blog somewhere (not sure where),
but it seemed to align perfectly with my reading goal. Plus it looked
fantastically interesting, so I found a copy at the library and set to reading
Barracoon is the name for a type of hut that was used for the confinement of slaves and criminals, and this book features remarks from interviews which Neale Hurston had with an 86-year-old former slave called Oluale Kossula. His slave name was Cudjo Lewis, and he arrived in America from West Africa where he was captured and brought across the sea on Clotilde, the last ship to cross the waters for the transatlantic slave trade.
Written in 1931 (but only published quite recently in 2018), Neale Hurston was at the start of her career as an anthropologist when she was tasked by her boss, Franz Boa, to meet and interview an 86-year-old former slave, one of the few survivors who could remember and then talk about his journey from Africa. (It’s astonishing to me that there was actually a living person with this memory back in the twentieth century. In my head, slavery happened yesteryear and ages ago, but obviously, I was wrong on that.)
Despite slavery having been deemed illegal in the US, Kossula was snatched from his African village and enslaved in the US in 1860. He was trapped as a slave for more than five years, when he was released and with others, worked to establish a community called Africatown in Alabama, a place where the other survivors from the Clotilde could live and work.
As Neale Hurston gradually gained the trust of Kossula, she was given more pieces of his history. Kossula was understandably not that trusting at first, but slowly and without rushing the process, Neale Hurston sat with and listened to this remarkable old man. Recalled in a heavy dialect that’s written almost phonetically, I could almost hear this old man recount his life in his accent.
It’s not that easy to follow, but you get the hang of it after
a while and being able to “hear” his voice (via the writing) adds a level of
intimacy that perhaps you wouldn’t be able to get in any other way (especially
now with Kossula long gone from this earth).
Without getting in the way of Kossula’s memory, Neale Hurston does a remarkable job of letting him tell his own life story without the need to be a filter for him. His story requires no translation, but it’s all the more remarkable when it’s “heard” in your head as his accent.
What makes this a stand-out account is that Kossula still has
memories of his growing up in a small African village so it’s a more immediate
account of a slave’s journey than perhaps other first-person recollections of
slave life (for example, Frederick
Douglass or Solomon
Kossula’s memories of being captured and taken to the ship
with a long and harrowing journey ahead of him is detailed and immediate. Since
his memories are personal, the descriptions of the ship journey and his slave
life are all the more powerful due to them being recent memories for him.
An NPR review puts it best when it describes this book as
being not only about the brutality of slavery in this country, but also about the
emotional toll of being taken away from your home and own language, of being
lost and losing almost everything. It’s a multi-layered recollection that is
all the more powerful for being so personal.
This is a tough read due to its focus on how inhumane people can be to others. But it’s also a powerful read to hear a man’s own words describe his journey from freedom to captivity to freedom again.