Playing around…

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Source: Shutterstock

Summer is here in every way, shape and form now we are in June. It’s fairly common to have multiple days of more than a hundred degrees as the high temperature, and I’m hoping that the oncoming weeks will bring us some more rain. (We live in a semi-arid desert region and most of the rain tends to fall around now. However, climate change (even the one invented by China 🙂 ) seems to be impacting that, so we’ll see. ETA: We had rain!!

The laid-back summer vibe continues apace, and it’s a very nice pace indeed. What have I been up to? Well, frankly, not much, and that’s fine with me.

Reading, naturally, has been happenin’ but since I’m spending a lot of time away from the computer screen, I think I’m just going to do some briefer round-up summary reviews instead of the in-depth ones. You won’t mind, will you? 🙂

I have been focusing more on the TBR pile, trying to make some inroads on that (**dry cough**), and I had a fun read of Famous American Plays of the ’40s (Henry Hewes, ed.). I’m not a drama expert in any way but I do rather like reading (and seeing plays) and I’ve had pretty good luck with this series (Famous American Plays of NAME the DECADE). Admittedly, the selections do tend to be very white and male, but you need to start somewhere, right? (Another good collection of plays (this time the 1950s/early 60s) is Six American Plays for Today edited by Bennet Cerf, in case you’re looking for something with variety.)

So this anthology of plays from the 1940s contained the following titles:

  • Home of the Brave – Arthur Laurents (1945)
  • All My Sons – Arthur Miller (1947)
  • Lost in the Stars – Maxwell Anderson (1949)
  • The Member of the Wedding – Carson McCuller (1950).

Three out of four were memorable, so that’s not too bad considering that I was familiar with approximately zero of these works of drama, and I enjoyed the read for the most part. Good find at the old FoL sale one year. I think I have a couple more of these titles (Famous Plays of the DECADE), so will pull them off the shelf at some point. I’m trying to make them last though. 🙂

(Linked with plays and drama, we also went to a showing of Ripcord (by David Lindsay-Abaire) at our local am-dram community theater. I love going to these things…Incredibly unlikely that I will ever get up on stage, but I have a good time from the audience seats watching others who are braver than I go up on stage.)

I also hit up a YA poetry book, Brown Girl Dreaming, by Jacqueline Woodson (2014) which was great. If you have any younger readers who quake at the thought of poetry, this would be a good introduction as the poetry is approachable and in free verse. It describes the childhood and adolescence of a young girl growing up in the north and with family in the south. Excellent read. Woodson has written quite a bit of YA stuff, so more to chase down at some point.

Picked up a more light-hearted title called The Diary of Hendrick Groen Aged 83 3/4 by an anonymous author. This is rather like an OAP version of Bridget Jones’ Diary – epistolary, funny, dry sense of humor. It tracks a year of OAP Groen as he moves into an old people’s home and makes friends and has adventures. Pretty funny. (It’s a Dutch book, I believe. Same sort of vein as A Man Called Ove, if you’ve read that one.)

Read a rather oblique and graduate-school-mill book by Amit Chaudhuri (2000), Freedom Song. Actually, this title (Freedom Song) contains three different novels inside its pages, but I only read one. As I didn’t really connect with the characters in this first story, I’ve ripped off the bandage and moved the book to the donate pile without reading the other two selections. (Woo hoo. Another off the TBR pile and out of the house!)

I think that those are most of the titles I’ve read since last I reviewed a book on this here ol’ blog, so I think that brings us up to speed now. More reading to come, no doubt…

And remember that jigsaw puzzle that I was working on a few days ago? Here is its most recent progress photograph:

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DH describes me as a crackhead in terms of just how addicting these puzzles can be. Oh my….

 

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General Catch-Up…

catch_upIt’s been a busy few days which has included several new lesson plans, two batches of grading, and the normal day-to-day stuff, which helps to explain the silence in this space.

Actually, it also included one of the houses on our street exploding (!) just before we went to bed and so that took a few days before life resumed its normalcy for us. Quite a week. (And honestly – one of the houses five houses away from us literally exploded. You don’t forget that in a hurry.)

However, despite this, I have been reading and writing (although more slowly than usual) and that’s what I thought we’d catch up with today.

I happened to come across Angela Thomas’ debut YA novel called ‘The Hate U Give” whose plot revolves around a young African-American teenager who is in the same car as her (also AfAm) friend when they get stopped for a perceived infraction by a white police officer and the young man gets shot and killed. The novel moves forward in time as the young woman and her community try to deal with this situation with its murky causes.

Although a heavy (and timely) topic, this novel moves along at a fast pace as it deals with the issue of police-related shooting, morality, race, and modern life in a city, and it’s probably going to make one of my Top Ten Fiction Reads this year. For once, the hype is worth it and I recommend that you pick this up at some point soon and then you can judge for yourself. Thomas does a great job of covering the multiple perspectives in such an incident without resorting to usual state of black-and-white thinking, and whether you agree with how the characters act or not, it’s probably going to leave you thinking once you’re turned that last page.

file3I also learned the acronym behind Tupac’s phrase, Thug Life which (according to the author) means The Hate U Give Little Infants F**ks Everyone (or maybe Everything?), meaning that it’s important to look after every person in your community whoever they may be. True that.

Moving on and to give myself a change in pace, I picked up a psychological mystery story, “The Girl Next Door” by Ruth Rendell, which was good fun to read (although oh-so-confusing at first due to playing with time and a lot of characters). I sorted it out in the end and I haven’t read just a mystery for ages, so this was rather fun and read like a hot knife through butter. Now I’m reading through one of America’s Best… series, this one a collection of science and nature from 2011 and edited by the wonderful Mary Roach. Just right for a Monkey Mind…

And then, thinking about a non-complicated plot and also filling in a slot in the Century of Books project that I have going on, I’m also reading the children’s classic, “Swallows and Amazons” by Arthur Ransome (1930). I haven’t read any of this series before, and although I’m not a sailor and have next-to-no-familiarity with sailing terms, I’m enjoying this quick read of two families of children enjoying their island adventures up in the Lake District of England. (Lots of ginger beer et al.)

With the semester fully underway, there have also been loads of events at the university including an entertaining talk by visiting Ruth Reichl, NYT best-selling non-fiction author and restaurant critic, which was really enjoyable. Plus, it’s play season on campus and we went to watch the one-act plays that students both write and perform. Good stuff.

So, it’s been a busy few weeks, but now we’re in the home stretch of the university term, and then I’m looking forward to some time off from work. What to do, where to go… Those are the questions…

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Getting some culture: two plays…

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Since we’re lucky enough to live in a town with a big university presence, this means that we are also able to take advantage of some of the cultural offerings that come our way, and we recently went to two plays, both about some under-appreciated women which was a good touch as it’s Women’s History Month.

The first one was a one-woman play called “The Other Mozart” (written and performed by Sylvia Milo), and focused on the true story of Nannerl Mozart, Mozart’s older sister who was also a prodigy with music, but due to her gender and the times, didn’t receive all the attention that her younger brother did.

The solo actor was the sister in question, and so the play was presented through her eyes and thus the audience could track her musical life as she is recognized for her musical talents, but then slowly overtaken and eclipsed by the younger Mozart. I think this is probably a really good play, but the university sound system was very muffled and so it was pretty hard to keep up with what was going on.

That, and I had the ill-fortune to have a tall guy with a big bobble-head sit right in front, and it was uncanny how his head movements would match mine at almost every turn. So – good play. Bad venue. I’d still go and see this play, but only in a smaller theater with a good non-karaoke-based sound system.

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The other play was a completely different experience (thankfully). This was also a one-woman play, but in a much more intimate setting which made it easy to hear what the actor was saying and thus keep up with the action.

Called “If a door opens: a journey with Francis Perkins”, it was written and performed by a regional actor called Charlotte Keefe and focused on the life and times of said Francis Perkins, who was one of the earliest female Secretary of Labors in the twentieth century. She worked with presidents and others to help secure the 40-hour work week, social security benefits, and generally looked out for child and female workers at a time when they were over-used and under-paid.

Perkins also played a sentinel role in improving workplace safety standards as she was in NYC at the same time of the Triangle Shirtwaist factory fire and knew how to effectively work with politicians, unions, and others to pass new laws improving working conditions for everyone who was not a rich white man. 🙂

I was not familiar with Perkins (or the actress who played her), but by the time we came to the end of the play, I was astonished at just how much Perkins achieved at a time in the twentieth century when women were not encouraged or supported in their working lives if they upset the status quo.

I really enjoyed this experience, and recommend that if you see this play coming anywhere near you (whether with this actor or another), you take the hour or so to see it. Perkins was a firebrand whose mark still remains on the twenty-first century workforce.

And then later on this week, we’ve got tickets to listen to Ruth Reichl, former NYT food critic and best-selling author… Riches abound right now.

A Raisin in the Sun – Lorraine Hansberry (1959)

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Wow. What a powerful play this was to read. I can only imagine what it’s like to experience as live theater.

A Raisin in the Sun* is a play (and then film) published in 1959 which sees the lives of an African-American family in Southside Chicago as they try and decide which of several potential directions their family could take in the near future.

I’d heard of this play and the film, but never seen either of them, and, in the mood for a play-reading of some description, this came to the surface. Read in the twenty-first century, this was an intense read (especially towards the end of the final act), so I can only imagine how powerful this message was when it was presented on stage. It certainly took my breath away, let me tell you.

A_Raisin_in_the_Sun_1959Hansberry was awarded the New York Drama Critics’ Circle Award for Best Play of the Year for this work, which was notable for a boatload of reasons: she was the youngest playwright to receive this award, the first black writer, the fifth woman, and although it’s a hard-hitting play, it was met with really good critical acclaim (apart from that award) and Hansberry was recognized for being one of the first American playwrights to realistically portray the African-American experience on stage.

Set in the 1950’s, the play focuses on the Younger family, a working class family who are just about to receive a large check from the life insurance of one of the family’s patriarchs. As money easily can do, the idea of the large financial check has each family member thinking about s/he would like to spend it leading, naturally, to conflict that reflects American life and values during the 1950’s. Does the family sort out this situation? You’ll have to read it to find out.

And it’s this conflict, which arises in the very first scene, that threads throughout the play spanning a wide range of topics from housing, discrimination, employment, addiction to hope, optimism, and being true to yourself. I’m wondering if this is a literary work that’s read in a lot of high schools and if so, do the students really appreciate the strength of the narrative arc?

Very curious about seeing the film with Sydney Poitier (1961)  now…

* The title of the play comes from poem by Langston Hughes (“A Dream Deferred”):

What happens to a dream deferred?

Does it dry up

Like a raisin in the sun?

Or fester like a sore –

And then run?

Does it stink like rotten meat?

Or crust and sugar over –

Like a syrupy sweet?

Maybe it just sags

Like a heavy load.

Or does it explode?