Tag Archives: female

Queenie – Candice Carty-Williams (2019)

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Picked this up at the library the other day after having seen it mentioned on quite a few book bloggers’ sites and, at the same time, wanting to add another POC author to my reading life.

This is, apparently, Candice Carty-Williams’ first novel although it looks like she has a background in publishing as well. So – did I enjoy this read? Not sure that “enjoy” is the best word but it was a fast read and a pretty good one. I’ll say that.

The narrative revolves around the central protagonist, Queenie, a 25-year-old first generation Brit who is single, living in the UK with Jamaican parents. As the plot moves forward, we get to see how Queenie lives and works and from the POV of this particular reader, it read very smoothly overall.

Reading some of the reviews, countless people had compared Queenie to a more brash Bridget Jones in many ways, but I don’t think this is an accurate impression. Queenie is a much more hardened character than Bridget ever was.

She straddles both the Jamaican immigrant culture as well as the culture(s) of her friends and has to deal with insidious cuts and asides (racial and otherwise) in her newspaper workplace.

It seems as though she has her life fairly together for a twenty-something woman in the 21st century, but the one piece that is significantly awry for her is her love life where there is one terrible decision after another. (There is a lot of unprotected sex in this book. Fair warning, if you want it. If not, carry on.)

And I just kept wanting to pull Queenie aside EVERY time she went to bed with someone and tell her that she didn’t have to do this. But I couldn’t and it was actually made even harder to be patient with her as she came across as consistently unlikeable in many ways: she’s selfish at times but perhaps Carty-Williams’ goal with her was to provide a more human character who makes human mistakes. I’m not sure.

This was well written overall. Carty-Williams handles the narrative effectively. I just wish that I had liked (and respected) Queenie a little more.

She Came to Slay: The Life and Times of Harriet Tubman – Erica Armstrong Dunbar (2019)

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Crikey. This was one heckuva read about an amazing Black woman. It’s also an excellent nonfiction book with cool modern graphics integrated in amongst its well-written text. (I know. Lots of praise but this volume deserves every ounce of that.)

If you’re unfamiliar with Harriet Tubman, get thee to at least the Wikipedia page and read about this true American hero. (No hyperbole there.) Her life story just blew me away. 🙂

Harriet Tubman (1885). Photograph by Horatio Seymour Squyer. National Portrait Gallery.

So – not only is this the life story of an astonishingly brave woman, this title presents her history (or herstory) in a modern and extremely graphically-pleasing format. And — it’s well-written. As you can perhaps surmise, this was an informative and wonderful read for me, and I highly recommend it for you.

She Came to Slay:
Erica Armstrong Dunbar, author.

If you’re not familiar with Tubman (and disregarded my advice in the second paragraph to go and read the Wiki page on her), you’re missing out. Tubman may have been small in stature (five feet tall) but holy cow – she had the biggest and bravest heart and used that courage to save hundreds of people from slavery.

Not only was she a leader in the historical Underground Railway system for escaped slaves, but she was also a hardcore soldier, a brilliant spy, a suffragette for the vote AND an advocate for old people. And – she had brain surgery without anesthetic. Phew. Can you see why I am amazed by this fabulous woman?

Author Erica Armstrong Dunbar, the Charles and Mary Beard professor of history at Rutgers in New Jersey, has done a great job here of relating Tubman’s life and endless achievements, all done in an energetic and graphically pleasing presentation which made this a pure pleasure to read.

It’s written in a conversational tone (despite Armstrong Dunbar’s academic status), but this tone comes across as friendly and informative, similar to watching an approachable historical documentary onscreen but while retaining the sheen of academic rigor to the text.

Credit: Toledo Public Library.

A powerful and mesmerizing read about one of the most impressive historical figures I have ever come across. I’m astonished that Tubman is not more well known for her life and times – she should be. This will be definitely be one of the top reads for 2020. Amazing.

(Curiously – Tubman was scheduled to be honored on the design of the $20 dollar bill [to replace racist President Andrew Jackson] but true to form, the Orange Goblin has put the kibosh on that for now. See this CNN article for the (disgusting) details. Sigh.)

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You’re still here? Shouldn’t you be at the library checking this book out? Or buying it online? Why – yes. You should. 😉

Reading Ireland Month 2020 with Cathy746

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I’ve decided to join in with Cathy (at Cathy746 blog) to read some books by (or about) Irish people or the country itself, and as a start (although it’s actually in its second week), I pondered to myself exactly how much Irish literature I’d read over the past few years.

(BTW, if you haven’t met Cathy yet, her blog is really interesting and all about Irish lit. She is one of its biggest cheerleaders in bookish circles, it seems.)

So, I went trawling through my blog posts and found quite a few. Most of these I have loved so I think you may as well. Have a nosie if you’d like:

  • Pygmalion – George Bernard Shaw (1912) play
  • The Circle of Friends – Maeve Binchey (F)
  • The Things We Lose, the Things We Leave Behind – Billy O’Callaghan (F/short stories)

The Stationery Shop – Marjan Kamali (2019)

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Wandering around the library stacks the other day, I ended up in K’s in Fiction and, in trying to find another book, came across this one and its really lovely book cover. (Gorgeous colors! It mentions stationery!) Not being familiar with either the title or the name of the author, I read the cover copy and was intrigued. It was a library book. It was by a person other than a white one. And I was in the mood for something from another country, regardless which country that was. So – with nowt to lose, I checked this copy out.

So what’s it about? It’s fiction set in Iran in both 1953 and present day (2013), and focuses on the lives of two characters in particular: two young people (in 1953) whose lives were impacted and interrupted by both Iran’s revolution and its cultural mores.

Kamali’s plot revolves around the stationery shop in the title and its bookseller owner as he comes into contact with his customers. It’s quite a clever structure to make the whole plot revolve around this handful of characters who overlap with this bookkeeper in some way, so it was an effective approach.

Two young Iranian lovers arrange to meet and get married at a certain time and at a certain place. To their dismay, their meeting location also turns out to be the same place as where a large political demonstration occurs at that very same time. Chaos ensues, the couple miss each other, wonder what happen but go on to live their lives apart anyway. Much regret of each about the lost opportunity but life sorts itself out – until…. Pivot. Then comes the twist.

Structurally, the book has some jumping around in it, flipping (as it does) from the chaos of the ongoing revolution in 1953 to modern-day Iran and the US, and at first, I had it fairly sorted out but, as the book continued (and I must admit, I let some days pass in between readings), the time jumps were a little disorienting for me. Linked with that, it seemed as though there were an inordinate number of intimately-related characters who kept popping up.

I admit. It could have been my fault for having a Monkey Mind and for letting a few days pass (and brain cells live and die) between the reading. It wasn’t that it wasn’t well written or anything bad like that because when I finished the read, it was as a satisfied reader. So no doubt it’s a good book, but I think I had to sort of gear myself up a bit to refocus on all the strands of the plot and to try and weave some unity out of it all.

Although this might sound like rather a lukewarm review, this was a book that I ended up enjoying after I’d read it all, as opposed to during the actual reading process. I would certainly pick up another of Kamali’s books if that tells you something! 🙂

Kid Gloves: Nine Months of Controlled Chaos – Lucy Knisley (2019)

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As an ongoing reading fan of Lucy Knisley’s graphic novel/sequential art work, I was happy to discover that she had recently released an update to her autobiographical books with the latest news about her getting pregnant and then successfully having that offspring.

What I really appreciate about Knisley is that she has no pretensions about being anything but normal – her perspective on her own life is refreshingly down-to-earth and, unusually for a graphic novel of this genre, she is not writing to heal a personal or familial trauma (apart from this getting-pregnant thing).

Plus, Knisley seems to be a very curious person (similar to how I am) and so you never quite now what to expect for inclusion in her graphic novels. (Question: is a graphic novel still a graphic “novel” if it’s true and autobiographical? Or does it then become a “graphic autobiography”? …)

At this point in her life, Knisley has now been married for a few years and she and her husband, John, decide that now is the time to start a family. It’s this topic around which the book revolves, from the overall preparation for it (she researches in much the same over-the-top-but-fascinating-to-me levels) and her work is as honest as she can be in how much she tells the reader about herself and about her life. (When I have finished one of her books, I feel as though I’ve just been having an enjoyable conversation with a good friend at a coffee shop or similar. She’s that relatable.)

So, in this particular volume, Knisley not only tracks her various attempts to get pregnant (not as easy as it sounds) while also relating a connected and wide-ranging litany of background info about women’s reproductive health, including its history and some of the science behind it as well as recounting the more personal side of things. It’s an effective mix of personal and impersonal and it’s a recipe that really works.

This blend of personal perspectives and more objective information also enables the reader to feel invested in Knisley’s reproductive life – when they have difficulty getting (and staying) pregnant, my heart went out to them at how heart-broken they were. How could something so “easy” as getting pregnant become so difficult for these two people (and others)? It’s actually a riveting story and one that I read through all in one go. (I had to know how things concluded in the end!)

Knisley presents scientific facts and debunks superstitions in a respectful manner, really saving the emotional approach for her own personal side of life, and so this makes her an effective and credible teacher for this information, some of which was new to me (and may be for you too). In fact, I really think Knisley would be a good writer for a sequential art-take on some harder science topics, if she ever decides to travel in that direction. I’d read that work, for certain. (Are you reading this, Lucy? You know. In all your spare time! Ha.)

So, much like her other reads, Knisley’s latest volume is an excellent addition to her ever-growing oeuvre. I hope the fact that she now has a toddler doesn’t signal the end of her graphic-novel days, but fortunately, there was a hint at the end of this book that there may be more to come: “It all ends right now, with a new beginning…”

Fingers crossed that Knisley continues to refreshingly document those early days of motherhood that lay ahead of her!

Other (highly recommended) Lucy Knisley reads include the following. Your best bet would be to start at the beginning and read them chronologically:

September 2019 Reading Review

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A rather good reading month, as it turned out (despite the initial craziness of back-to-school). I’m having (and enjoying) a big focus on the TBR pile right now (hopefully, this will continue until the end of the year), and also an ongoing craze on NF… I’m loving it all. 

  • Total books read:        12 (including 2 x halfway-through-DNFs)
  • Total pages read:        2,886 (av. 240)
  • NF: 9 (75% of total)      
  • F: 3 (25% of total)
  • TBR: 9.
  • Total % TBR for year to date: 54%. <takes a bow>
  • Library: 3 (including 1x ILL).  
  • POC author/topic(s): 1. (Oh dear.)   
  • Male to Female: 5 males + 5 females + 2 of mixed genders.
  • DNFs (new for this month): 2. (I’m getting better at this.) 
  • Oldest title: 1951. 
  • Longest title (re: page count): 340pp.
  • Shortest title (re: page count) (excluding DNFs): 122pp.

Here’s what I read in September:

Now that October is here (and September, to me, has to have been the longest month in the entire year), I’m looking forward to some gradually cooling temperatures, slightly fewer daylight hours, and the steady routine of the university semester. 

Plus – I have this horde of books from the recent FoL Book Sale. <rubs hands with glee>

Parable of the Sower – Octavia E. Butler (1993)

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Image of book cover for Octavia Butler's Parable of the Sower.

Following on with the POC reading theme and wanting some dystopian world to read about, I picked up Parable of the Sower (no “The”?) by Octavia E. Butler. Written as the first of a two-book series, this sci fi novel was published in 1993, and received a lot of critical acclaim including being selected as the 1994 NYT Notable Book of the Year (along with other lit awards). 

So – all signs pointed to a good read (as was an earlier of another Butler book) and I’m happy to report it was – enough so that now I’m searching for the second title (Parable of the Talents). (My library doesn’t seem to have that title but I’m probably going to have to take advantage of their great interlibrary loan program since I haven’t seen it on the shelves yet.)

(Random aside: In fact, there was also supposed to be a third title to make it in a trilogy, but it seems that Butler had serious writer’s block about this, and although she started this third novel a few times, it never materialized into a finished product. (However, I totally get and respect the writer’s block problem. No problem with that. 🙂 ))

The plot for this particular spec fic/sci fi read revolves around a young woman (variously called “girl” and “woman”) called Lauren Oya Olamina, who lives in the U.S. (or what used to be that nation) during the 2020s.

(This is not so far into the future as to be unbelievable and was one of the many points that really sold the novel to me. I love it when people invent worlds just a squidge off-center from real life as it is right now. Plus – I love that Butler is sensitive to the vocabulary she uses to describe her characters.)

Back to the book: Lauren has been living with her mum and dad and sibling in a small community, gated and walled to protect them from the marauding aggressive outsiders who surround them, trying to survive in the external extremely dog-eat-dog world caused by governmental collapse and all other economic and societal systems. 

As the troubles start to move closer to her small community, Lauren starts to seriously plan to move north to keep in front of these dangerous gangs. But how to do that?

Another new wrinkle has the introduction of new street drug called “pyro.” Pyro had the effect of making the act of setting a fire akin to the experience of really good s*x for its users, and so, of course, to “chase the dragon,” lots of these outside marauders end up being quickly addicted to it, making life difficult and challenging for everyone else. 

Along with this increasingly unpredictable situation is the fact that Lauren also possesses hyper-empathy, a human condition thought up by Butler which gives the individual the ability to feel the pain (and other sensations) from people she witnesses. Thus, if someone close to her vicinity gets hurt, both that person and Lauren experience the same amount of pain even if Lauren was only a spectator at the incident…

This can make it tricky for Lauren to be really effective when someone is very hurt as both she and the patient may be incapacitated at the same time – another complication to consider for both her and any future travelers in the group on her already-precarious northward journey.

Fully aware that the future task (and all its dangers) will be easier if she can get a small group together, she invites the brother of a neighbor along to add power in numbers. Planning continues apace, but when the pyro vandals burn down her own home (and others) which ends up killing most of her family (and that of her friend) one night, the goal to migrate north to safety gets moved up sooner than originally planned. It’s too dangerous to stay where she is right now…

Another great twist for this fast-moving plot is that there is also a vast shortage of water, so it’s an expensive but necessary product and has to be used carefully. This situation doesn’t help the pyro problem (not enough water to put out the frequent fires, people dealing with scarcity and all its related issues), and so the whole situation starts to get a little incendiary for all. (See what I did there? 🙂 )

With nothing for which to stay, the small group starts to journey north to reach Washington or Oregon where it rains more, pyro is not yet a “thing”, and life is (hopefully) not quite so difficult.

The plot then follows the ragged group as it gains members (and loses some) and treads along the miles of abandoned highways in their efforts to reach their own promised land up north. And how does it end…? You’ll need to read it to see! 🙂

(You know, this novel reminded me in some ways of the poor old Joads in Steinbeck’s “Grapes of Wrath” (1939) which describes a similar quest to reach the promised lands of California. I’ve read Grapes quite a few times, but it was mostly during grad school and that was a LONG time ago. Maybe I should refresh my memory to see if there are more overlapping homages to Grapes or other books in this Butler title…)

An excellent read, whether you dig sci fi or not… This might also be a really good book for someone not familiar with spec fiction in which to dip. There’s no robots, no Star Wars, no dragons. Just a good solid narrative arc that really made me care about the characters and pulled me in as a reader for a couple of days. Recommend this.

For another Octavia E. Butler read, try Kindred (review).

The New Moon’s Arms – Nalo Hopkinson (2007)

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Image result for the new moon's arms

Having frequently heard of Nalo Hopkinson as a sci fi/speculative fiction author, and since I was in the mood for that sort of read, I checked out this title from the library. (I’d also been looking for a good fiction read by a POC author as well, so this ticked that box very nicely as well.)

So, not quite sure what to expect since Hopkinson was a completely new author to me, the first chapter got off to rather a rough start. OMG. It was so confusing – people change names for no apparent reason, there’s magical realism (which I wasn’t expecting), and there are animals who might (or might not) be mermaids/merpeople in disguise. 

So, taking a deep breath and really liking how Hopkinson writes, I soldiered on and interestingly it all got sorted out by the end of the second chapter. So – heed this warning. That first chapter is worth sticking with as the plot sorts itself out in the end. (And I must admit – the fault may have been mine, but just in case…) 

To the book itself: The narrative arc follows a redemption story, really, with a pretty unlikable and prickly character (she who changes names in the first chapter) and what happens when she takes in a child she finds on the beach of her Caribbean (or similar) island. 

Image result for nalo hopkinson
Nalo Hopkinson. (Picture credit.)

Calamity (also called Chastity at certain parts) is dealing with two big situations at the moment. One is the death of her father (from whom she’s been estranged since her teenaged years) and the other is that whenever she has a hot flash due to menopause, her finger tips tingle and her long-lost childhood ability of finding lost things comes alive. The things found range from a blue and white plate from her childhood to an entire grove of cashew trees that materializes one day outside her house to the mysterious beach child with sea shells in his/her hair… 

At the same time as all this is going on, Chastity/Calamity’s also becoming more involved with the issue of the group of particular rare seals who live on one corner of her island home. She makes friends with a seal researcher and so throughout this narrative, there’s this collision (of sorts) between the roles and importance of science and myth, of magical realism and reality, of things unexplained by rational logic. 

Interestingly, there are collisions of other sorts as well: the protagonist has ongoing tussles with her relatives over various points; the arrival of the beach child causes concern for all when Calamity/Chastity decides to look after him/her; there’s discord between the protagonist and her father; there is the struggle at that point where the sea overlaps with the land, with science and magic… This turned out to be such a thoughtful read for me, so it was much than “just” magical realism/spec fiction. 

I’m not typically that huge a fan of magical realism, but this is mostly a straightforward drama with sprinkles of magic through in along the way, so I found it more palatable than I thought it was going to be. (I had it categorized as a broccoli book, but it was actually much better than that perception.)

In the end, I thoroughly enjoyed this read and thought that this was really a well-written book. One of the Goodread reviewers described the writing as almost liquid in a way, and that’s exactly how I viewed it. It’s a smooth read, like a stream running through rocks and roots – there are obstacles to face, but how they are handled by the characters runs really fluidly. 

This turned out to be really good read and I ended up completing it in two days (which is fast for me). I’m also convinced enough to look around and see what other library titles by Hopkinson are available. She’s that good. 

If you’re not familiar with Hopkinson, I recommend taking her work for a spin. It’s a deceptively easy read that will leave you with lots to think about. 

Bailey’s Cafe – Gloria Naylor (1992)

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naylor1A recent find at our local FoL Spring Book Sale, this was a really good read and was actually just what I was looking for when I picked it up. I’ve heard a lot of talk about Naylor’s more famous book, “The Women of Brewster Place” (1982) and had originally gone looking for that title, but when I couldn’t find that one, this title popped up and into my grubby mitts and for once, I actually read a book that I had bought the same weekend that I had bought it. (A lot of times, I may purchase a book and then read anything BUT that title, but this weekend, there was the perfect overlap between my reading goals and the titles available. Dosen’t happen very often, but when it does, it’s simply magic.)

I’d been looking for a fairly comfortable domestic book written by a POC* author, and so although it wasn’t necessarily my first title choice, it ended up being a fantastic read all the same. I had wanted to read about several characters who perhaps lived in a community where their lives overlapped at times – similar to what I call a “tapestry” book where there are multiple characters (the different colored threads in a piece of fabric) whose individual lives overlap and interweave to create a multi-colored picture that’s richer for the overlap. (Similar to a tapestry in my mind.)

38550903nayl_20010701_01867.jpgI had heard of Naylor as the author of “The Women of Brewster Place”, but going along the shelves, I could only find this title. However, no worries. Everything that I had read about the Brewster Place novel had been good, so I considered this to be a low-risk proposition to pick up another title.

Additionally, it also met the criteria for another ongoing foci that I have right now of reading more POC authors and POC topics. I have a tendency to revert to Northern European authors and titles, presumably because they are more likely to come to mind, but after having had such a good experience reading authors of African-American descent in February’s Black History Month, I am determined to keep that awareness up throughout the remainder of the year until the pattern becomes something ingrained and one that I don’t have to particularly think about.

So, Naylor it was and I opened this title, “Bailey’s Café” late on Saturday night. After being unable to put it down for any long time between then and Sunday evening, I turned the last page with a contented sigh. It had been a great read.

But – pray. What is it about, I hear you ask? It’s a plot that revolves around a hole-in-the-wall café in an unspecified town and via the proprietor of the café, we are introduced to some of the regulars who come in for a (bad) cup of coffee and a (good) piece of pie or similar. It’s an idiosyncratic place with no menu and set food on particular days regardless of what you’re actually like to eat. It’s a home away from home for some of these characters and through the eyes of the café owner, we meet each of these memorable personalities with the common meeting place of the restaurant.

It’s a fairly straightforward read, with no chicanery in playing with time or other narrative structures. However, just because it’s a straightforward read in that sense doesn’t necessarily mean that it’s boring and predictable as each character is different and has a story (as you might guess) and towards the end there is some magical realism (but don’t let that scare you off).

There’s a transgender woman, someone who runs a brothel (except it’s much more than that to the people who live within its walls), and several other characters who have had (or currently lead) non-conformist lives, but Naylor’s storytelling carries no judgement for these people. The café is an accepting place for its customers, and as each person enters the building, the café owner (through whose eyes we see everyone) describes his take on each life and tells us some of the background of his customers, while at the same time, telling us about his own life with wife Nadine.

It’s very well done, and if you’re looking for a good solid read about some believable characters living fairly typical lives (but who fall outside the “norms”) then you’ll dig this read. I’m definitely going to scour around for Naylor’s other work after reading this book. (First one: The Women of Brewster Place…)

Naylor is a great author and has been recognized with a litany of literary awards, including being a recipient of Guggenheim and NEA fellowships and “The Women of Brewster Place” won the National Book Award in 1983. She died in September 2016.

* Note: “POC” is an acronym which refers to “People of Color” meaning any person who is not white. POC individuals may come from any country in any part of the world, but they have a different life experience than the typical white/caucasian person which informs their work.

For a review of another Glora Naylor read, try: Mama Day (published in 1988).

Getting some culture: two plays…

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theothermozart

Since we’re lucky enough to live in a town with a big university presence, this means that we are also able to take advantage of some of the cultural offerings that come our way, and we recently went to two plays, both about some under-appreciated women which was a good touch as it’s Women’s History Month.

The first one was a one-woman play called “The Other Mozart” (written and performed by Sylvia Milo), and focused on the true story of Nannerl Mozart, Mozart’s older sister who was also a prodigy with music, but due to her gender and the times, didn’t receive all the attention that her younger brother did.

The solo actor was the sister in question, and so the play was presented through her eyes and thus the audience could track her musical life as she is recognized for her musical talents, but then slowly overtaken and eclipsed by the younger Mozart. I think this is probably a really good play, but the university sound system was very muffled and so it was pretty hard to keep up with what was going on.

That, and I had the ill-fortune to have a tall guy with a big bobble-head sit right in front, and it was uncanny how his head movements would match mine at almost every turn. So – good play. Bad venue. I’d still go and see this play, but only in a smaller theater with a good non-karaoke-based sound system.

frances-perkins-door-opened-quote

The other play was a completely different experience (thankfully). This was also a one-woman play, but in a much more intimate setting which made it easy to hear what the actor was saying and thus keep up with the action.

Called “If a door opens: a journey with Francis Perkins”, it was written and performed by a regional actor called Charlotte Keefe and focused on the life and times of said Francis Perkins, who was one of the earliest female Secretary of Labors in the twentieth century. She worked with presidents and others to help secure the 40-hour work week, social security benefits, and generally looked out for child and female workers at a time when they were over-used and under-paid.

Perkins also played a sentinel role in improving workplace safety standards as she was in NYC at the same time of the Triangle Shirtwaist factory fire and knew how to effectively work with politicians, unions, and others to pass new laws improving working conditions for everyone who was not a rich white man. 🙂

I was not familiar with Perkins (or the actress who played her), but by the time we came to the end of the play, I was astonished at just how much Perkins achieved at a time in the twentieth century when women were not encouraged or supported in their working lives if they upset the status quo.

I really enjoyed this experience, and recommend that if you see this play coming anywhere near you (whether with this actor or another), you take the hour or so to see it. Perkins was a firebrand whose mark still remains on the twenty-first century workforce.

And then later on this week, we’ve got tickets to listen to Ruth Reichl, former NYT food critic and best-selling author… Riches abound right now.